There were times I would answer proudly when my friends in architecture school asked where I was doing my internship. But most often, I was hit to rock bottom when they asked further about my works as an intern. My proud and loud answer was replaced in a sudden with an embarrassed voice to state the fact that I was responsible for all things-related with bathroom design.

Designing a toilet remained a strange thing for me, whether it is the first time I found out that there are countless options to pick for a single faucet, new technologies that develop every day, and that people care about their bathroom the way far more than I thought. Whether it was a villa next to an exotic lake that the client wanted wood-themed sanitary wares with life-warranties or a modern house in the capital that the owner aspired to have a bathtub with aromatherapy system to release stress after battling the unbearable traffic. Even for a small house with a tight budget, they still want a uniquely designed corner to do the daily urge to reunite with water.

“Bathroom is the closest heaven we can imagine”  

Avianti Armand, Arsitektur yang Lain (2009)

Although humans have always had the need to cleanse themselves, it took centuries for our culture to bring the important functions together into one convenient room. It was a bit of surprise for me when I learned about Scandinavian Housing in Norwegian Folk Museum that the luxurious and modern house in the 60's Oslo didn't include a bathroom inside. Instead of bathing, they used linen and with a washing basin only. I guess because of they haven't advanced the hot water plumbings yet, therefore in the midst of winter it wasn't possible for taking a shower. The same reason goes for why most of western people use tissue instead of water. The culture continued up until today, for the sake of familiarity.





Meanwhile thousands kilometers to the south, in Java, Indonesia, we also emerged from the age of my grandparents’ borderless bathroom in the river until today’s automatically-heated water closet. I consider myself born in the right time and place to witness the drastic transformation of bathrooms in my culture.

The original traditional houses didn’t have a bathroom. With the tropical climate we had, the people still enjoyed utilizing directly the facilities nature has provided. Back then the water was still perfectly unpolluted, shadowed with big trees and big stones as the barrier, a river was such a paradise that old men told us stories about beautiful nymphs who loved to bath there. Settlements were set at the bank of the river where people made use of it on a daily basis and functioned as social interaction node as well. Later when the western culture through colonization and modernization came up with the idea of hygiene, Javanese people started to believe that having their house equipped with a room to bathe is a better way of living. Their traditional houses were definitely configured without indoor bathrooms. For this reason, they started to build additional building outside the core structure to house their sanitary needs. That was how my first bathroom like.

My childhood house was an old traditional house that probably was built at 70’s. The bathroom was a brick-walled room with a size of 3 x 4 meters consisted of a huge and tall concrete water tub---that lingered in my memory as a child because I couldn’t see its surface and believed it might contain a crocodile inside---and a separated 3 x 2 meters room with a squatting closet. To use this bathroom even is a lot easier rather than bathing in the nearby river, still required hard work and dedication. Those times when plumbing system had not been provided by the government, financially-sufficient people built a well as the main source of water for their house. The well until around 2000s hadn’t been equipped with an electric pump, people used a manual pulley machine and poured it directly bucket by bucket into the tub through a small basin. The water tubs were designed big and tall in order to contain more water so the water-pulling could be done less frequently. We hadn’t encountered shower yet, that was why we showered ourselves manually using a plastic bucket. Next to the tub, we had an elevated platform covered with jagged tiles to wash clothes. It seemed that the view towards bathing and washing as a single entity still haunted most people. This configuration of bathroom clearly didn’t allow the users to linger in there. That was why as I could recall, the room next to the bathroom with the closet is more of a favorite for everyone in my family. It was smaller in size but accommodated more sense of privacy. We might squat on our feet, only with tranquility.



The description of my first bathroom was not pleasant, but perhaps that was what some people in that era were struggling for. To control the society to shift from the old habit and decrease the rate of diseases caused by dirty rivers, the government started to enforce the “bathroomization” by providing public bathrooms in slum areas. This construction still allowed people to utilize it communally, only this time the bath were separated by walls and roofed by cheap metals. The social node of bathing was still existed but the paradise was gone. There were no more nymphs among us while waiting in line to use stinky and hot public bathrooms.

The water tub with its bucket and squatting toilet might be the root of Indonesian toilet which now has transformed into a variety of preferences. With many people figured out better economic condition and influenced by other cultures at the same time, they seek more comforts inside their bathrooms. Whether for people who prefer a compact bathroom or upscale back-to-nature resort bathroom, their bathroom goals are moving into one direction. The heaven right now is no longer solely lies in the water but also the sense of privacy we could get from it.

Today, bathroom has reserved a complicated position as a sanctuary of purest human instinct as well as a symbol of status. Also in accordance of soap and shampoo marketing, how frequent somebody takes a bath has been considered a social norm. Today, even a presence of little cockroach nymph might be intolerable for our longing of either tranquility or hygiene in the bathrooms.

This is originally an essay I made for the anthropology class during my exchange program. We had to pick any ethnography and make a critical review of it. I chose The Passing of Aborigines (1938), by Daisy May Bates. The monograph, which is emphasized by its title, provided a form of salvage ethnography with a spirit to reserve a memory bank of Aboriginal ‘remnants’ during transition of Western people settlement in Australia.
Among ubiquitous works which covered the massive interest towards the same subject, Bates provided a distinctive and even extreme research method by devoting almost 35 years of her life to live in the natural habitat of Aboriginal people that she called “my natives”. In her essay “Colonial Women in the Australian Dictionary of Biography”, Barbara Dawson (2007) described Bates character as presenting an enigmatic dichotomy of both sympathy and Imperial attitudes of racial superiority towards Aborigines.  Accordingly, to understand the author’s eccentric fieldwork situation and her contradictory views, a mixed of biographical and historical approach to examine the ethnography. How does this ethnography portray heroism and ethnocentrism in the early anthropology? How does the relationship with its context took place in the framework of colonized Australia?

Collage that I made, inspired by a chapter in the book "My Friends, The Birds"

OVERVIEW OF THE PASSING OF ABOROGINES

The Passing of Aborigines is situated in the broader context of ethnographic prose. Daisy Bates was a self made anthropologist with a background in journalism. Given that in the late 1800s, there was a division of labour between the professional anthropologist and the amateur fieldworker,with the former remaining in the library and museum and the latter travelling to remote parts of the world collecting ethnological materials, Bates deployed the latter and began to cover the theme without formal education of the field.  

In 1904, Daisy Bates, an Irish-born woman in her forties who had temporarily worked as governess in Queensland and a  ‘lady journalist’ in London, began to collect material for her ‘compilation of a history and vocabulary’ of the Western Australian Aborigines. She was doing so with the support of the Registrar General of Western Australia, Henry Prinsep, who also appointed her Honorary Protector of the Aborigines.

She was known as a strict dresser by consistently wearing black Edwardian costumes with a Victorian neck shirt even in the blazing heat of Australia. Despite of the eccentricity, she managed to immerse herself among the Aboriginal natives and at the end of her life, she was remembered as The White Queen of the Never Never. Arthur Mee, a British author who wrote the preface in her 1938 book, aligned her name with Florence Nightingale and Father Damien due to her sacrificing spirit to nurture the significantly dying race. Her graceful reputation remained until her death in 1951, in which her name was even mentioned in Australian curriculum and her story was adapted into several theatrical play.

There were some earlier reviews conducted by several Australian anthropology scholars such as A.C. Haddon (1939), K.O.L Burridge (1966), and William W. Wood (1968), in which most of them responded positively regarding the book. The Passing of Aborigines, as expressed in its title, was positioned itself in the salvage anthropological,  the recording of the practices and folklore of cultures threatened with extinction, with a spirit to record the almost extinct race of Australian Aborigines. Eventually the claim was proved wrong a few decades later when by the year of 1970s the indigenous groups embraced a new politically assertive right. Since then, her work gradually became less respected. Furthermore, the unpopularity of the work was getting worse since a research by a Queensland historian, Alan Queale, had thrown up some fascinating new facts about Bates which were outlined by Isobel White (1985). It seemed that Bates told a number of significant lies about her early life. (Colley 3) Firstly, she lied about her initial name which was initially Margaret Dwyer. Secondly, she claimed to have come from a Protestant background when she was a Catholic. She lied about her age; on her marriage certificate she claimed to be 21, when she was actually 25. She was also lately known as a bigamist given her marriages with two men.

Despite of her diminishing popularity, The Passing of the Aborigines gives valuable descriptions of ceremonials, myths, and totems, and a discussion that remained debatable about cannibalism among the black people, including the eating of new-born babies. In the 2000's, the enormous information she gathered is used by indigenous groups seeking to establish their claims to traditional ownership of their land, and their rights to hunt, fish and look after sacred tribal sites in Southwestern Australia. Because at first Bates’ observation of the Aboriginal Native was not focusing on a specific tribe, during her long term involvement in the ethnographic research, she captured a vast amount of native tribes through her writing. She taught herself their language and mastered its diversity in which she claimed up to 155 dialects, and communicated effectively and later, contributed a lists of aboriginal vocabularies.

She travelled around the state by horse and camel buggy, and eventually focused her attention on the Nyoongar, the traditional landowners in the south-west. Then in 1912 she moved to South Australia, pitching a tent at Ooldea, on the edge of the remote and dry Nullarbor Plain, next to the route of the transcontinental railway, which was then in the process of being built. For the next 16 years Bates lived in that spot, with only a typewriter for company, surrounded by the complete works of Dickens and photographs of the British Royal Family.

During her settlement among the native, she published articles in several major newspaper in Adelaide, Brisbane, Melbourne, Sydney and Perth during 1901-1938. The excerpts of the articles were later compiled into The Passing of Aborigines. The originally intended book based on Bates’ extensive notes was never published until she passed away in 1951. Eventually the data was taken over and edited by Isobel White. The edited note was later published in 1985 under title The Native Tribes of Western Australia.

Given that the book was not intentionally made to be the final output of the lifelong study, it was indeed presented in a way how a fieldwork note written, particularly in a first person point of view. Borrowing the term from Clifford Geertz, the author placed herself not as a precise scientist but frankly as “human hand”. The writing was composed of narratives of detailed description and a variety of personal political view. Bates did neither refer to any literary works of other anthropologist as a supporting idea, nor she herself made an effort to synchronize the findings to any of established anthropological theories of the period.

Even if an ethnographic research is a highly personal experience, the autobiographical sense of this book is obvious and the scientific rigor is too vague. This ethnography was born in the time of transition of fieldwork tradition into a scholarly professional anthropology. For this reason, there is not yet a uniform theory but rather several theoretical perspectives of quite different character. Hence, it is difficult to measure the fit that existed between theory and method. Nevertheless, the amount of time spent for the expedition makes the weak integrated facts remained as a valuable information to be explored.

Daisy Bates photographed with Jubaitch and his family who were camped at Maamba (Source: Brian Lomas)

THE HEROINE OF THE MONOGRAPH

Inscribed in the introduction written by Alan Moorehead for the 1966 edition of The Passing of the Aborigine was list of things that Daisy Bates wasn’t. She wasn’t a missionary, as she did not try to convert or teach Australian Aborigines anything; she was not a doctor or nurse; she was not an anthropologist, although she ‘illuminated’ Australian Aborigines for non-Aboriginal Australians.  
In the period where anthropology was a male-dominant field, Bates showed that the limitation could be turn into advantages. As Margaret Mead (1970) in her article Fieldwork in the Pacific believed that women has access to a wider ranger range of culture than does men, Bates succeed to obtain role flexibility during her fieldwork. Male ethnographers are usually restricted to the male world. While female ethnographers not only have access to the female world,  the special knowledge possessed by women about genealogies, scandals, household budgets, but also considerable access to the male world too. (Barrett 209) The theory might be proved right.

Entering the intensive fieldwork by the age of 40, Bates demonstrated the centrality of kinship relationships among the Aborigines by showing how effectively she could deal with these persons once she was accepted as "Kabbarli" or spiritual grandmother. The tribal people of the Kimberley area, in far north-western Australia, held Bates in awe, believing her to be one of their reincarnated ancestors with superhuman spiritual and healing powers. With this position in which spread to other tribes through oral communication, she gained many exceptional access to dig out information about Aboriginal culture. She was even allowed to witness men's secret ceremonies and initiation rites, as a result of which she became an honorary initiated man.

How she earned the position might be as well a reciprocity of huge sacrifice she had done during the participatory observation. While she distributed her nearly sufficient allowance to buy clothes and foods and even cooked for them, the natives will come to her and share her their stories. While she offered a nurturing care for the weak among them, the natives embraced her as a family. At this point, given that she demonstrated a tireless endurance to reach a certain social position, it might be similar with the practice of prestige  in the context of tribal people. Similar with the widely studied theory, Bates proved her inability to quit the mindset and apparently enjoyed the role she played.

ETHNOCENTRISM, ACTIVISM, AND THEIR CONTRADICTIONS

Anthropology is frequently described in a way as the child of colonialism. The emergence and development of anthropology as a profession in Britain and Western Europe was linked to colonization of what eventually labeled the Third World. It is suggested that anthropologist help to soften the impact of colonialism by providing a more sensitive view toward the oppressed social organizations and contributing a voice towards a better treatment for the society. (Barrett 26)

In West Australia, after settler colonization, as Aborigines assessed their situation, they are divided into differed reactions. Some groups which waere called as The Wild Blackfellow, resisted and fought for their land and maintained that resistance. While others, called as station aborigines, adjusted to the prevailing white expansion by agreeing to work for the white man as a means of staying on their country. To overcome the situation, the government made a reciprocal arrangement by the handing out of rations as the trees and fruits of their land were replaced by livestock and planted crops. Daisy Bates stood in this setting and acted as real loyalist of the empire towards the natives. Every morning she dressed as how a respectable British woman would be, invited the natives for tea, and provided them a range of western fashions while at the same time had been called as ‘Kabbarli’.

As a noble Irish woman, once she proudly described her accomplishment to manage the first succeeded Aboriginal group performance in front of The Prince when he made his journey to the south. In another occasion, Bates told a story of a riot made by a group of natives demanding a new king from their own kind. With her shrewdness, she again succeed to compromise with them to accept the British Queen for she had provided them their needs and let them stay in their land. Bates certainly did not force them any religions but in a political perspective she spread an effective communicator of the imperial law in the Australian desert. Furthermore, she suggested an extreme patriarchal solution for the absence of governance within the Aborigines in a form of fatherhood of the Empire-makers, “men of the sterling British type that brought India and Africa into our Commonwealth of Nations-a Havelock, a Raffles, a Lugard, a Nicholson, a Lawrence of Arabia.” (Bates 281)

Geoffrey Gray in his book Cautious Silence (2007) believed that anthropologists in Australia in the period of 1920-1950, in spite of their concern about the fates of local colonized peoples, were invariably situated between contradictory forces. To enable access to the field, anthropologists were generally obliged to restrict criticism of the conditions and treatment of Indigenous people to within the funding body or sponsoring university, which was then expected to pass it on to the government department concerned with Indigenous affairs'. (Morton 3) In other words, anthropologists were rarely involved in anything that resembled activism. The book reaps some criticism of lacking samples of anthropologists which evidently deployed certain kind of activism at times. One of the aforementioned figure is Bates as described as “rather famously the stinging opposite of reticence when it came to pushing for reform of Aboriginal policy according to her own inimitable view” (Sutton 6)

At various times, the West Australian Government has tried experiments which were sincerely intended to improve certain conditions on Aboriginal health rate which at the period faced a serious problem of epidemic diseases. One of the experiment was an isolation hospital on Dorre and Bernier Islands, Shark Bay, which costed thousands of pounds. Bates through her newspaper articles showed how this experiment failed and how "the benefits devised by the white people and the endeavors to lighten their pain were only so much the greater aggravation of their exile.”(Bates 136) She also criticized Rottnest Island Native Prison in which captured huge amount of natives for breaking the Western law they never understand about and often with poor justifications. As she witnessed how tribal law worked, the treatment was considered misplaced as a kindness that killed as surely and as swiftly as cruelty would have done. Bates described how it was only another tragic mistake of the early colonists in dealing with the original inhabitants of a country so new and strange to them.

Patients outside the hospital at Bernier Island. (Source: State Library of Western Australia)

For her, The Australian native can withstand all the reverses of nature, the long droughts and sweeping floods,horrors of thirst and starvation-but he cannot withstand civilization. The view is a fundamental idea throughout her long fieldwork in which she mentioned several times in the book, even though this claim turned out to be wrong a few decades later, that her main objective is to ease the ‘inevitable’ passing of the Aborigines. Following her disagreement toward the treatment by Australian government, she began performing her own rejection for Aboriginal health improvement by providing an intense primitive care in the natives’ indigenous habitat. She dedicated her time and materials for the betterment from within.

Several times in the text, Bates would elaborate her effort to think in natives’ mentality and in another part, as Aboriginal linguistic master, she would explain the complexity of translation during her observation. She herself stressed the importance of cultural relativism, even without mentioning the specific term, for the natives’ beliefs, values, and practices should be understood based on their own culture. However, as what has been discussed in the previous paragraph, her right leaning attitude was clearly expressed throughout the writing and in several other passages, she showed support toward evolutionism theory as well.

CONCLUSIONS

Before the rise of post modernism in anthropology, one’s ethnography was judged by the quality of the data and the elegance of the analysis. While with post modernism, it has been the author who taken the center of the stage. Reflections are done in a subjective attitude, i.e. how author knows the culture and interpret the data, how meaning is negotiated between the researcher and the researched, as well as self conscious musing on the subjective experience in the fieldwork. According to Clifford Geertz, what makes an anthropological text persuasive is not simply a matter of presenting a body of facts; it has much more to do with the author's ethos, with the power of his or her presentation. (Olson 2)

In the context of colonialism, anthropologists often start their involvement in the field with the same heroic spirit that the colonial regime descends. They were engaged in saving his or her own soul, by a curious and ambitious act of intellectual catharsis of the unfamiliar new world in their perspective, but also committed to recording and understanding his or her subject. Indeed, how some ethnography are written by positioning the anthropologists as hero arouses criticism regarding its scientific value in which becomes the endless debates of anthropology.  In that situation, The Passing of Aborigines portrays Bates’ self creation, as a keen observer lingered in her contradictory morality throughout the expedition to ‘save the dying race’. To further extent, Bates takes the tools and perspectives of anthropology and uses them not only to produce elite theory for a narrow readership, but also uses the insights it generates into actions contributing to her obsession in easing the passing of Aborigines. This kind of activism raises questions about her ethnographic position, impact, possible over-identification with the subject she studied, as well as distinctions between theory and action.

REFFERENCES
C. H. “The Geographical Journal.”The Geographical Journal, vol. 93, no. 3, 1939, pp. 268–269. JSTOR, JSTOR, www.jstor.org/stable/1788386.
Barrett, Stanley R. “Anthropology: A Student’s Guide to Theory and Method.” University of Toronto Press. 1996
Bates, Daisy. “The Passing of Aborigines.” University of Adelaide Press. 1938
Burridge, K. O. L. “The Geographical Journal.” The Geographical Journal, vol. 132, no. 4, 1966, pp. 549–550. JSTOR, JSTOR, www.jstor.org/stable/1792576.
Colley, Brockwell, Gara and Scott Cane. “The Archaeology of Daisy Bates' Campsite at Ooldea, South Australia”. Australian Archaeology No. 28 (Jun., 1989), pp. 79-91. Taylor & Francis Ltd. www.jstor.org/stable/40286903
Hartman, Tod. “Beyond Sontag as a reader of Lévi-Strauss: ‘anthropologist as hero’”. Anthropology Matters Journal 2007, Vol 9 (1)
Moorehead, Alan. “Foreword to Daisy Bates, The Passing of the Aborigines: A Lifetime Spent Among the Natives of Australia”. Melbourne: Heinemann, 1966, ix
Morton, John. “The Journal of Pacific History.” The Journal of Pacific History, vol. 44, no. 1, 2009, pp. 117–118. JSTOR, JSTOR, www.jstor.org/stable/40346707.
Olson, Gary A. “The Social Scientist as Author: Clifford Geertz on Ethnography and Social Construction.” Journal of Advanced Composition, vol. 11, no. 2, 1991, pp. 245–268. JSTOR, JSTOR, www.jstor.org/stable/20865794.
Sutton, Peter, and David McKnight. “Australian Anthropologists and Political Action 1925-1960.” Oceania, vol. 79, no. 2, 2009, pp. 202–217. JSTOR, JSTOR, www.jstor.org/stable/40495613.
Wood, William W. “Social Science Quarterly.” Social Science Quarterly, vol. 49, no. 2, 1968, pp. 384–385. JSTOR, JSTOR, www.jstor.org/stable/42858379

I've been in hiatus of this blog for more than...2 bloody round years.
Yep, if you wonder what happens if a responsible person own a blog that's how it is. A few times I planned to continue to blog. I held my hopes too high to completely change the way things are, like writing serious thoughts or even essays in a new platform since I used to write childish perspective here and it might not be the so called reliable critics blog. But well, here I am stopping by this little poor thing, and realized all of those empty wishes are buttloads of nonsense and just like my Instagram caption (which was picked for the sake of positive branding, lol) I should have just write anything here as long as I keep going, and should have made progress by now!

I signed up for blogger 5 years ago, that makes me almost reach my 22nd year in this world today. The 2 years gap which I didn't manage to write any single thing here consisted of college life, and...pretty nothing more I guess. It is a little bit funny to look back how I see my life back then. In high school, I dreamt of being this and that. And to look at the extent I am in right now, I should be quite satisfied and grateful since most of the things I wished for somehow happen in one point (I beg no one judge the teen-me for having such low standard). But still, I still am that same old me who never give the best of everything under her control, and end up regretting every moments failed to be seized (note: just watched Coco and Ernesto de La Cruz 😝).

It is unnecessary to state examples of my many experiences of not giving the 100% ability. As those who have known me will give the 100% assurance of my lack of perseverance and aloofness and bunch of other negative traits that I tried to hide in my CVs, in contrast to my love of competitions. I have realized for some time that it is tiring and unhealthy, to blame yourself all over your miserable failures. But I learned that no matter how bitter it is, that is the truth and learned to ask myself questions.

What if it is actually your 100% ability? Nothing stands between you and your dreams unless your own lazy self who wish to be a cat or born to a billionaire, who gets sick because she herself doesn't take a proper care for health, who is not very smart because she spends most of her time for Instagram scrolling instead of tirelessly reading more books, learning new things and connecting to real people. I have learned to accept the fact that the other hidden 50% something is nonexistent and I was not as good as I saw myself to be. Being an ordinary adult is not that bad. I guess I've been growing up since I tolerate more for my incompetency, for not being an awesome person my younger self aspired to be.

But since I get nothing to lose I will try to hang in there for a while more, and fight.

New semester is coming super soon, and i feel like wanna share about my last semester's project. So here we go.
It was Architecture Design Studio 3, where in this course we started to learn designing some buildings takes place in an existed site.

The first project was a restaurant in an urban area. To be exact it's located at Jalan Kaliurang near our college. The site is quite small compared to request to maximize the restaurant capacity until 60 people. Other problems we found on this site include neighborhood circulation, circulation for vehicles (located near intersection and no space for parking), noise, and light (the facade heading to the west side). Quite complicated for first project, but i enjoyed the design process so much!

As a commercial building, my design came up with an idea of being different. Since the surroundings are full of messy traffic, concretes, and hectic life, the restaurant was designed as a place to relax. In short, my concept was From Chaos to Harmony. Oh and i made it Banjar Foods Restaurant...no particular reason...ummm, i think because i want simple-served foods so the kitchen design going simpler too, and maybe that time i craved for that delicious soto Banjar at Kindai (it's a dining place in Jogja). :p












It's midnight already and tomorrow's gonna be the first day of my second semester on my second year. Yeay. Yeay, i mean it. Yeay. Tomorrow's schedule is Architecture Design Studio 4, start at 7 a.m., and most likely we will have picking-supervisor-lecturer-for-the-rest-semester combat.
Yah, to be honest i'm a little bit anxious that tomorrow i will be able to wake up or not since this holiday my sleeping circle wasn't going very well... I wish it's everyone's. :p

Currently working on 3dmax. Digital Architecture class assignment, we have to create 10 free objects. Suppperfun.
(Click for larger image!)

Akhir-akhir ini intensitas saya buka blog meningkat nih. Teori hormon ngeblog saya yang dulu kayaknya salah, setidaknya buat sekarang. Karena alasan saya rajin ngeblog seminggu terakhir adalah karena saya ga ada HP. Konektornya rusak gitu, jadi ga bisa di-charge. Yang mana saya termasuk orang yang sedikit kecanduan smartphone, hobby stalking dan update ga penting saya jadi kurang terakomodasi dengan rusaknya HP saya.
Nah, termasuk juga hari ini. Saya ga ada kerjaan, habis mindah-mindahin foto dari kamera. Saya jadi pengen sedikit cerita tentang workshop yang saya ikuti beberapa waktu lalu.

Liburan kemarin sekitar bulan Juli, saya ikutan sebuah program bernama Bamboo Exploraction. Program ini baru diadakan sekali, tapi katanya sih mau diadakan rutin di tahun-tahun berikutnya.  Penyelenggaranya University of Sydney, dan Bamboo Notion, sebuah studio arsitek berbasis di Bali yang menaruh perhatian pada arsitektur bambu di Indonesia. Nah, setahu saya, program ini diawali dari makul pilihan di Usyd, dosen-dosen Usyd bekerja sama dengan Bamboo Notion (yang didirikan alumni jurusan saya- Mas Effan), dan rangkaian acaranya mengambil tempat di Bali dan Jogja. Kegiatan yang berlangsung di Bali berupa observasi, anak-anak Sydney jalan-jalan melihat karya-karya bambu Mas Effan yang super keren, dan ke desa pengrajin bambu gitu.

Rangkaian acara selanjutnya, diadakan di Jogja. Beruntungnya, di kampus saya. Di situ dibuka pendaftaran program buat anak-anak arsi S-1, S-2, dan Teknik Sipil yang mau ikutan. Saya dan kira-kira 30 anak lainnya pun daftar. Berniat menghabiskan 2 minggu liburan yang berharga, di bulan puasa, ikutan workshop ini...berharap tidak mengambil keputusan yang salah.
Btw, program ini juga bisa ditransfer jadi makul pilihan 2 SKS buat kami, dengan syarat melengkapi tugas pilihan bikin essay atau sketsa dan jurnal harian. Dikumpul minggu ini...dan saya belum ngerjain.

Acara yang di Jogja diawali dengan jalan-jalan keliling kampus. Melihat-lihat studio Arsi dan PWK yang super berantakan, yang seharusnya ga perlu sih karena di sana kan juga sama aja gitu, architecture students unite lah. Haha. Habis itu kita main ke bengkel Teknik Sipil. Yes, kami kebanyakan belum ngerti prinsip struktur dan konstruksi, apalagi penerapannya ke bambu. Dipandu seorang dosen dari sipil, yang-saya-lupa-namanya-karena-semua-orang-manggil-beliau-professor-tapi-sumpah-pinter-dan-masih-muda. Kalo ga salah namanya Pak Ashar. Pak Ashar menjelaskan tentang kekuatan bambu, prinsip-prinsipnya, dan teknik-teknik penggunaan bambu dalam konstruksi.

Setelah itu kami dibagi berkelompok dua-dua, diberi waktu 2 hari mendesain sebuah paviliun bambu mengambil site di Puthuk Setumbu (berhubung anak-anak Usyd habis jalan-jalan ke sana paginya). Saya pun sekelompok dengan Debbie. Karena Debbie aslinya dari Cina, saya dan dia ga terlalu lancar ngobrol bahasa Inggris dengan logat masing-masing. Susah berkomunikasi, plus ketidakahlian kami dalam mendesain (saya baru semester 2 dan Debby anak S-2 Urban Design), akhirnya desain kami jadi juga. Walaupun bentuknya awkward dan kata Mas Effan hampir tidak mungkin dikonstruksi. Haha. Tapi kami suka.

Maket paviliun by Ninis & Debbie

Dalam workshop ini, kami ditargetkan membuat 3 paviliun kecil bentang 5 meter dan satu struktur bambu bentang lebar berupa pelingkup parkiran.

Pada hari ketiga, kami dibagi kelompok lagi. Kali ini lebih besar, satu kelompok 6 orang dan dalam waktu 6 jam kami diminta membuat model struktur pelingkup parkiran kami. Hari berikutnya, dari model-model tersebut, Tim Bamboo Notion dibantu ahli struktur mengadaptasi bagian-bagian terbaik dari model-model para peserta menjadi satu desain yang akan diwujudkan, di parkiran kampus saya. Pelingkup ini rencananya akan memiliki bentang 17 meter. Lebar 5 meter dan tinggi 9,5 meter. Woohoo.

Model bikinan kelompok saya nih

Pameran model karya peserta

Hari kelima, kerja keras yang sebenarnya dimulai. Diawali penjelasan dari ahli bambu lokal Jogja, Sahabat Bambu, kami mulai bagi-bagi tugas memilah-milah bambu, menggergaji, menatah ruas bambu, membuat pasak, dan menjebol conblock. Di sini kelihatan banget stamina mahasiswa Indonesia yang lagi puasa dan berbadan relatif kecil-kecil, kalah jauh dibandingkan mas-mas mbak-mbak dari Sydney yang sangat strong dan super bersemangat dalam proses nukang ini.

Briefing sebelum bekerja

Proses pertama adalah membuat arc bambu, dengan diameter 17 meter dan yang lebih kecil masing-masing sebanyak 9 buah. Setiap 3 buah arc kemudian disatukan menggunakan skrup besi panjang yang saya lupa apa namanya. Percayalah membuat arc bambu sama sekali tidak gampang. Apalagi di hari-hari terakhir saat pasokan bambu yang ada sudah agak kering sehingga rawan pecah, kami berkali-kali harus mengganti bambu yang sudah disesuaikan ukurannya dan dilubangi.

Kiri: membuat lubang untuk menyambungkan bambu (dengan memasukkan bambu yang lebih kecil); Kanan: menyatukan 3 arc menjadi satu menggunakan bendrat

Nah, lengkung besar dan lengkung kecil tersebut kemudian disatukan membentuk 3 truss besar sebagai struktur utamanya. Tiap truss kemudian dimasukkan ke dalam footing beton setinggi 1 meter. Saat itu rasanya keren banget melihat para bambu berdiri tegak.


Selanjutnya adalah pembuatan pelingkup  atap. Bilah bambu dipecah jadi tipis-tipis dan disusun membentuk panel anyaman 2 x 5 meter. Panel-panel ini harus dipasang secara manual. Dan saya nggak berani nyoba.


Untuk yang paviliun, saya kebagian mengerjakan satu desain paviliun yang konsepnya kupu-kupu. Menurut saya sih bentuknya malah kayak kerang Sydney Opera House. Awalnya sedikit clueless gimana cara mewujudkan desain yang ini. Ternyata cukup sederhana juga lho. Lagi-lagi pertama kali, kami harus membuat arc, tapi kali ini cuma 5 meter. Bikin footing, dan tempat duduk. Yang terakhir, struktur pelingkup atapnya dari bambu dibelah 4 yang ditumpuk-tumpuk semacam manual-laminated bamboo. Haha. Di sini bisa dibilang kami cukup mengandalkan mur-baut untuk strukturnya.

Ketiga tim konstruksi paviliun. Tim saya yang paling atas.

Dari workshop ini, kami jadi tahu hal-hal yang terkesan remeh-temeh dalam nukang. Mulai dari bagaimana menggergaji yang efisien, mengebor, memasang pasak, memberdirikan struktur, dan masih banyak lainnya. Tidak jarang beberapa dari kami harus luka-luka, dan tentunya capek luar biasa nukang dari pukul 9 pagi sampe pukul 5 sore.

Tapi rasanya semua orang have fun dengan kegiatan ini. Kami pengen cepet selesai, tapi nggak mau ngoyo juga. Anak-anak Sydney sering ngelawak ketawa-ketawa, anak Indo pada ngikut aja. Hoho banyak yang masih pada malu-malu. Di sel-sela kegiatan workshop kami menyempatkan main-main juga, menemani anak-anak Sydney wisata kuliner, beli oleh-oleh, masak, atau ke tempat-tempat wisata di sekitar Jogja.

Obsesi tiduran pake ayunan sleeping bag di struktur bambu bentang lebar.

Workshop diakhiri dengan penanaman bambu, dan pameran hasil workshop untuk umum. Sayangnya pamerannya kurang ramai pengunjung, dan mungkin persiapannya juga agak kurang. Setelah menyelesaikan tugas, rombongan Usyd dan Bamboo Notion langsung bergegas pulang, menamatkan liburan masing-masing.
Jadi, dengan total pengerjaan kurang lebih seminggu, kami berhasil menyelesaikan 3 paviliun bambu dan 1 struktur bentang lebar.

Penanaman bambu di belakang kampus

All team sebelum workshop berakhir

"Because of amazing teamwork and passion, she stands beautifully."

Di sini saya sadar ternyata proses konstruksi bambu cukup susah, dan butuh waktu yang lama, banyak tenaga dan semuanya harus dilakukan dengan tangan manusia. Makanya sekarang orang-orang beralih ke material fabrikasi yang lebih murah dan efisien. Tapi seperti yang selalu ditekankan tim Bamboo Notion, arsitektur bambu menghidupkan gotong royong. Itulah kenapa bisa dibilang arsitektur bambu adalah arsitektur Indonesia. Menurut saya, arsitektur bambu adalah jenis arsitektur yang bersaudara kembar dengan seni. Proses pembuatannya yang membuatnya jadi berbeda.

Art doesn't supposed to be easy and nice, art supposed to make you feel something.

Foto ini saya ambil 2 hari yang lalu. Parkiran kampus jadi makin cantiks. Terima kasih, Bambu.

P.S: Foto diambil dari Facebook page Bamboo Notion, (kecuali 2 yang terakhir dan foto model maket tim saya.)